was
founded in the 6th century A.d. by Roman colonies who arrived on the
shores of the coast searching for high ground from where the could
defend themselves against the aggression of their attackers, the
invading Unni, Goti, Visigoti and Longobardi people. These new
inhabitants of Ravello recognised the fundamental need to trade and so
sailed ships containing their merchandise (mainly cloth) to the Orient.
This proved to be very successful economically for the people of the
area. The noble families that grew up built great palaces, castles
and churches, (approximately 80 in all). Ravello, from the
time it truly established itself, found rivalry from nearly Amalfi.
In fact it was probably the people of Amalfi who first named this town
‘’Rabellum’’ or ‘’Ravellum’’ both names deriving from
the world ‘ribbelarsi’ which in English means ‘to rebel’.
Ravello at its most wealthy had a population of approximately 40,000,
but crisis after crisis followed in the form of internal conflict,
earthquakes, pestilence and invasion from the Saracens. Today
Ravello has a population of approximately 2,300, however the wealth of
history has remained.
Villa Rufolo
Next to the tunnel which takes
us away from the main square, we can see the main tower of the Villa
Rufolo, the most important monument of art and antiquity in Ravello.
This palace villa was the dwelling place of the noble Rufolo family in
the 11th century. Giovanni Boccaccio the famous Italian writer
also spoke of this family and of Ravello in his book ‘’Decamerone’’.
Situated at the entrance of the Villa there is the smaller of the two
towers and is moorish in it's style of architecture. It's function
in days gone by was purely ornamental and never for defence purposes.
Taking the avenue leading into the Villa, which is lined with cypress
and lime trees, we come to an impressive palatial courtyard.This monument is a
unique example of classical art combined with Sicilian, Arabic and
Norman styles. A little further on we can take a set of steps
which will take us to the upper level of the gardens where we can
observe in the nearby museum some of the relics of families that have
inhabited the Villa. Dominating the gardens is the larger of the
two towers (height approx. 30m). On 26th May 1880 the composer
Richard Wagner is recorded as saying ‘’Here I have found the magic
garden of Klingsor’’ (for his opera Parsifal). Every
year Ravello, in memory of his visit here, brings together famous
Italian and foreign orchestras to perform in the Wagnerian Music
festival. Each orchestra assembles on a specially built platform,
which extends from the lower level of these marvellous gardens and
appears to be suspended over the sea far below. The setting
is truly spectacular.
On the way to
Piazza Fontana.
From Piazza Vescovado, take
the small street that is situated on the corner of the Tourist Office
and Via Roma. This street is called ‘’Viale Wagner’’ after
the famous composer. Having climbed the steps for approximately
30m looking on the left we can see the front of the Municiple building (previously
a private residence) constructed in the 11th century. If we then
look to the right we get a closer look at the bell-tower of the
Cathedral. At the top of the steps we join the start of ‘’Via
Toro’’. On the right is ‘’Villa Di Sangro’’. Previous
home of the Episcopio family. It is said that this Villa was a
refuge for King Vittorio Emanuelle III after the armistice of 8th
September 1943 on the liberation of Rome. It is also in this Villa
that the First Lady of America, Jacqueline Kennedy stayed when she
visited Ravello in 1962.Opposite the
entrance to the Municiple building we also find the entrance doors of
the ‘’Palazzo Confalone’’ once the palace of the noble Confalone
family ( cent. 1100). We see two marble columns and on the arch
above, the family coat-of-arms. A few metres further on we find the
‘’Belvedere Principessa di Piemonte’’ from where one can admire
a marvellous view of the coast and also see one of the hamlets of
Ravello called Torello. It is at Torello where the Picentini
people it is said, were probably the first inhabitants of Ravello.
Continuing along this road we arrive at ‘’Piazza St.Giovanni del
Toro’’. Here we find the old ‘’Afflitto Palace’’
the entrance of which is constructed from a mixture of marble fragments
that are thought to come originally from the temple of St. Eustacchio in
Scala, property of Sig. Afflitto who moved to Ravello in the 11th
century. On the other side of the Piazza we see the church of St.
Giovanni del Toro constructed in 975.Inside the church
is an 11th century mosaic pulpit supported by four Egyptian columns
decorated with Arabian symbols. To get to Piazza Fontana Moresca
from here we can take the road leading down the hill. The Piazza
gets its name from the fountain which is its centre-piece. At one
time the fountain was embellished with two statues, the evangelistic
symbols of a lion and a bull which were stolen in an act of vandalism
during the early 1970’s. (now there are two copies). If we take
the road, which continues, round the fountain and down the hill we would
find ourselves heading back to the centre of Ravello. On the way
we encounter an old chapel dedicated to St. Angelo de Frezza (1216). Now
deconsecrated, it was at one time used as hospice where the poor and
hungry were cared for. At the end of the church is situated on the
right of the steps which take us to Via Roma. It is from
here that we can join up with the main square, Piazza Vescovado. The
main square can also be accessed by passing beneath the ruins of the old
castle ‘’Della Marra’’ (12th cent.)
Piazza Duomo
This is the historical and
civic centre of Ravello. It is also the starting point for
our itinerary of visits to the most important villas and monuments in
the area. Dominating Piazza Vescovado is the Cathedral of Ravello
dedicated originally to the Virgin St. Assunta and now to St.
Pantaleone, Patron Saint of the town. It was constructed in 1086
by the first Bishop of Ravello, Orso Papice. This diocese was
directly responsible to the Pope in Rome but was abolished in 1818 after
a succession of 55 bishops. The Cathedral has gone through many
transformations both externally and internally and today after much
restoration we are able to admire its original Romano architecture.
The bronze doors, donated by a Ravellese aristocrat in 1179 were made by
Barisano da Trani. They measure 3.75m in height and 2.65m in width.The doors are made
up of 54 panels symbolically representing Christian explanations of the
mysteries of the life and the death and the resurrection of Jesus Christ
and his disciples. Inside the Cathedral we can see the pulpit ( Ambone del Vangelo), a masterpiece dating from 1272 by an
illustrious citizen of Ravello, Nicola Rufolo. It is
supported by six spiral columns resting on the backs six rampant lions,
whilst at the side of the steps leading up to the pulpit there are
mosaic panels picturing lions, dragons and birds. Also well worth
a visit is the chapel of St. Pantaleone Martire, constructed from 1643
to 1782. It houses the gold plated copper ampulla containing the
blood of the Patron Saint. This precious liquid that all year
round appears opaque and clotted, liquefies and apears transparent on
the Patron Saint’s feast day (27th July), demonstrating a Miracleto
the faithful!
On the way to
Villa Cimbrone.
At the mouth of ‘’Via dei
Rufolo’’, passing by the ruins of the large oratorio and having
passed below the portico, we come to a crossroads between Via Orso
Papice and Via S. Francesco. The former takes us down towards the
‘’Sanctuary of St. Cosma and Damiano’’, the latter takes us
towards Villa Cimbrone. Taking the first set of steps on the
right we come across a small chapel built in 1866. At the foot of
this chapel there is a stone which according to legend was put there by
St. Francis himself in 1222. Just a few metres further on we see
the bell-tower of the church of St.Francesco and looking on the left we
can admire a beautiful view of the Villa Rufolo gardens with its two
impressive towers and, in the background, Monte Brusara and the blue of
the sea below. Just before the entrance to the church are
two impressive columns supporting the atrium, then between the two doors
of the church itself we see a memorial tablet inscribed in the 7th
century after the death of St.Francis. The tablet refers to
the old church of St. Giovanni in Ponticeto (12th cent.), the basis on
which the current ‘’ Friars Minor Convent’’ was founded.
On entering the smaller door to the right we go into the 12th century
cloister surrounding the convent. The convent also houses a library
containing antique testaments. Through the larger doorway on the
other hand, we can go into the church itself. Looking
towards the altar directly ahead we find the tomb of Beato Bonaventura
da Potenza , the Saint who died in Ravello 26th October 1711. On
leaving the church and climbing the steps we are taken along Via
S.Chiara which is flanked by villas and other old houses. On the
way we will come across yet more marvellous views, this time of the
woods of the Villa Cimbrone and the mountainside opposite. Further
on again we encounter the ‘’Monastery of S.Chiara’’ built in
1297 the date on which Bishop Giovanni Rufolo donated the existing
church to the Nuns of Ravello.
From the steep steps that run
downwards we are taken to the entrance of the Villa Cimbrone. On
entering the Villa, directly on the left we will find the cloister built
in a style imitating that of the cloister of S.Francesco. This
however, is of a Sicilian-Arabic style. Inside the cloister we can
see wooden statues, medallions, workings in wrought iron, marble remains
and decorated terracotta amphorae. Most important of all are the
panels, one in stone depicting the seven deadly sins, the other, in wood,
depicting nine Norman warriors. Taking a set
of steps we descend into the crypt built in Gothic style comprising 22
stone columns. Returning to the upper level, we can admire
the beauty of the castle of this Villa where over the years many great
personalities have stayed: Eden, Macdonald, Marconi, Chamberlain, the
Dukes of Kent and Windsor, Maestro Stokowski and Greta Garbo to name
just a few. A long pathway takes us away from the castle and
into the gardens of the Villa. On the left as we walk along this
pathway we can admire ornamental bronze statues set amongst colourful
flowerbeds. On the right the garden has a more varied aspect -
trees and exotic plants in a less formal setting. At the end of
this pathway we come to the ‘’Belvedere’’ by passing beneath a
small Doric temple guarded by a statue of the goddess Cereres.
Again from here we can admire the singular beauty of the coastline.
Further into the gardens we will come across a bronze statue of Mercury,
messenger of the gods and inventor of the lyre. Still a little
further on and we find the temple of Bacchus. Eight columns in
Vesuvian stone support the roof of this temple. Bacchus himself
sits on the shoulders of an imposing satyr. Descending another
nearby pathway we come to a natural cave wherein we see the marble
statue of Venus, work of the famous roman sculptor Tadolini.
Retracing our steps to the statue of Mercury we then come to a lane
lined with tall cypress trees and on the way encounter still another
temple the dome of which is worked in wrought iron and supported by six
columns. At the end of this lane is a rose garden with four
ornamental statues and in the middle, a sundial pointing to mid-day.
Further on is the ‘’Tea Room’’ a gazebo, the external walls of
which are decorated with grey stone arabesques and in the centre, a
stone mask flanked by two coat-of-arms. From here we can
return to the Villa entrance. Walking back in the direction of the
main square we come to a junction dividing 3 routes - Via S.Francesco,
Via S.Chiara and Via S.S Trinità. If we take this 3rd route we
will come across mountain views of Scala, a town founded in 6th century.
Following this route past old houses and beautiful villas we find
ourselves in the main square.